Detroit Techno
Origins
Source – Wikipedia
The three individuals most closely associated with the birth of Detroit techno as a genre are the “Belleville Three“; Juan Atkins, Kevin Saunderson and Derrick May. (More specific readings on the Belleville Three). These three high school friends from a Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a “complete mistake…like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.”[1]
Detroit techno music was originally thought of as a subset to Chicago’s early style of house.[2] However, some critics believe that the Detroit techno movement was an adjunct to the house music.[3] (Named so for the new style of music played at a Chicago nightclub called “The Warehouse”). Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythm is Rhythm, called “Strings of Life.” This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May of 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection (or much notice by non-audiophiles) from patrons.
A small selection of Detroit techno, some obvious and some not some obvious.
Blake Baxter – Forever And A Day (mixed by Kevin Saunderson)
Cisco Ferreira – Cisco’s Groove
Reese & Santonio – The sound (acid remix)
R-Tyme – Illusion (Mayday Mix)
Dark Comedy – War.of.the.worlds-epic.mix
February 21, 2008 at 10:05 pm
Love the site!!!.
Does anyone have Orchestra JB “On A Love Groove” ?
Keep up the good work.
February 25, 2008 at 10:30 pm
** ATTENTION WEBMASTER **
please e-mail me. I have a couple of old skool mixes I done…I can’t find how to e-mail you directly from this website?
Please contact me so I can upload them.
Brian
February 26, 2008 at 7:10 am
Nice Detroit Tracks. New to me. Keep em coming!!
February 29, 2008 at 9:38 pm
Derrick May, what a god. Havent ever heard a bad mix of his, unlike Kevin Saunderson who remixed some right old rubbish in 88/89 – tho did make godlike gems too!
March 7, 2008 at 9:04 pm
Nice!!! I’m familiar with all of the above except for three – Fade II Black, Dark Comedy, and K-Alexi.
Blake Baxter’s “When We Used ToPlay” was another that got massive spins in NYC when it dropped.
February 28, 2009 at 12:32 am
K-Alexi was actually out of Chicago, but is just so happened that Derrick picked it up for his Transmat label. So even though it was on a Detroit label I have always connected this release more with Chicago house. Some real classics on here though.
February 28, 2009 at 3:46 am
Thanks for the additional info